作者简介：迈克尔·弗雷德（Michael Fried,1939- ），杰出的批评家、艺术史家，美国霍普金斯大学人文学科波恩讲席教授。20世纪60年代，他凭借对极简艺术的深刻批判奠定其优秀批评家的地位（其批评文章集结为《艺术与物性：论文与评论集》）；70年代后，他转入艺术史研究，著述丰富，其中《专注性与剧场性：狄德罗时代的绘画与观众》《库尔贝的写实主义》《马奈的现代主义》构成了“现代主义前史”三部曲；并在最近十几年重返当代艺术批评，直面影像艺术的最新现象。其批评和艺术史研究不仅在艺术学界广受关注，并且也为哲学、美学、思想史等领域内的学者所重视，甚至还反哺当代的艺术实践（著名摄影师杰夫·沃尔就深受启发），被公认为美国最具影响力的在世批评家、艺术史家之一。 译者简介：张晓剑（1977- ），温州大学美术与设计学院副教授，浙江大学博士，主要从事中西艺术史和西...(展开全部)

作者简介：迈克尔·弗雷德（Michael Fried,1939- ），杰出的批评家、艺术史家，美国霍普金斯大学人文学科波恩讲席教授。20世纪60年代，他凭借对极简艺术的深刻批判奠定其优秀批评家的地位（其批评文章集结为《艺术与物性：论文与评论集》）；70年代后，他转入艺术史研究，著述丰富，其中《专注性与剧场性：狄德罗时代的绘画与观众》《库尔贝的写实主义》《马奈的现代主义》构成了“现代主义前史”三部曲；并在最近十几年重返当代艺术批评，直面影像艺术的最新现象。其批评和艺术史研究不仅在艺术学界广受关注，并且也为哲学、美学、思想史等领域内的学者所重视，甚至还反哺当代的艺术实践（著名摄影师杰夫·沃尔就深受启发），被公认为美国最具影响力的在世批评家、艺术史家之一。 译者简介：张晓剑（1977- ），温州大学美术与设计学院副教授，浙江大学博士，主要从事中西艺术史和西...(展开全部)

作者简介：迈克尔·弗雷德（Michael Fried,1939- ），杰出的批评家、艺术史家，美国霍普金斯大学人文学科波恩讲席教授。20世纪60年代，他凭借对极简艺术的深刻批判奠定其优秀批评家的地位（其批评文章集结为《艺术与物性：论文与评论集》）；70年代后，他转入艺术史研究，著述丰富，其中《专注性与剧场性：狄德罗时代的绘画与观众》《库尔贝的写实主义》《马奈的现代主义》构成了“现代主义前史”三部曲；并在最近十几年重返当代艺术批评，直面影像艺术的最新现象。其批评和艺术史研究不仅在艺术学界广受关注，并且也为哲学、美学、思想史等领域内的学者所重视，甚至还反哺当代的艺术实践（著名摄影师杰夫·沃尔就深受启发），被公认为美国最具影响力的在世批评家、艺术史家之一。 译者简介：张晓剑（1977- ），温州大学美术与设计学院副教授，浙江大学博士，主要从事中西艺术史和西...(展开全部)

A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve h...(展开全部)

A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve h...(展开全部)

阿道夫·希尔德勃兰特（Adolf von Hildebrand）是德国19世纪著名雕塑家和艺术理论家。。20岁时他在意大利受到古典艺术影响，并结识了他艺术理论终生的支持者马列和弗德勒。在关于造型艺术的形式和谁为主导之争 ，他们的形式主义和纯视觉观念是一个重要的思想流派，对现代形式主义艺术的诞生、发展影响深远。

The popular narrative of "globesity" posits that the adoption of Western diets is intensifying obesity and diabetes in the Global South and that disordered metabolisms are the embodied consequence of globalization and excess. In Metabolic Living Harris Solomon recasts these narratives by examining how people in Mumbai, India, experience the porosity between food, fat, the body,...(展开全部)

In this encounter between one of the 20th century’s greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet’s importance in the overthrow of traditional values in painting. . Originally delivered in Tunis in 1971 as part of a conference on Manet and here translated into English for the first time, this...(展开全部)

In this encounter between one of the 20th century’s greatest minds and an artist fundamental to the development of modern art, French philosopher Michel Foucault explores Edouard Manet’s importance in the overthrow of traditional values in painting. . Originally delivered in Tunis in 1971 as part of a conference on Manet and here translated into English for the first time, this...(展开全部)

The age of Baroque witnessed the construction of some magnificent buildings, but what did the work of architects such as Bernini, Guarini and Wren have to do with Descartes, Galileo and Newton? In this book, George L. Hersey explores the ways in which Baroque architecture, with its shapes and experimentation with classical forms, reflects the scientific thinking of the time. He...(展开全部)